- #Adams stanley hp lovecraft the whisperer in darkness movie#
- #Adams stanley hp lovecraft the whisperer in darkness full#
#Adams stanley hp lovecraft the whisperer in darkness movie#
We're not sure when the movie will be done, but hopefully sometime in this winter. By the end of September, all work with actors should be done and we'll move onto special effects and editing. We're on track to start actually shooting footage at the end of summer. Friends and artists around the world are working on the movie even now. We're lining up our crew, period vehicles, rain machines, and our hellishly bizarre list of props. We're working on the designs of Wilmarth's costumes, Akeley's house, and Mi-Go's anatomy. We've got 58 scenes being shot at 14 different physical locations, some in Los Angeles, some in New England. Things needed to be made, found, acquired, borrowed, designed, and rented. They tested it out with a group of actors and fellow filmmakers, made a couple of last minute changes, and in late April the shooting script was finalized.Ī screenplay is the blueprint for a movie, and once it was done, we knew exactly what would be needed in terms of locations, actors, props, special effects, etc.
#Adams stanley hp lovecraft the whisperer in darkness full#
And after a few months of this, and more than 20 full drafts, in April of this year HPLHS Executive Screenwriting Committee had a script they were both happy with. So, the two fellows then sat down together to hash out a third version of the movie which was negotiated, reworked and jointly beaten into submission. The first guy didn't like the second script (see, we don't always agree on everything) and knew it wasn't the movie he wanted to make. Then he gave his script to the first guy. So he took the better part of another year and wrote the script the way he wanted it to be. He decided what he needed to do was to write his own adaptation. So the guy who wrote the screenplay gave it to the other guy to read, and he hated it. If you've never written a feature-length screenplay, it's an arduous process, and it took the better part of a year to get the first draft completed.
We thought it would tide people over as we finished up the shooting script and got ready for production of the actual movie. It came out pretty good, so we gave it to Andrew to show at the festival and we put it online. We gathered our friends Matt Foyer (The Man in The Call of Cthulhu) and David Robertson (our Cinematographer extraordinaire) and a few other helpful friends and we shot a teaser for the movie. We knew the scene where Wilmarth listens to the recording of the creatures would be in the movie, so it seemed like a good place to start filming a teaser. Early that year, we promised our pal, Andrew Migliore - the creator of the festival - that we'd have something for him to show. In the meantime, the HPL Film Festival was approaching (this is back in 2007). So, one of us dove in on writing an adaptation, fleshing out Lovecraft's story, tweaking its structure and reshaping it into something that would be satisfying as a movie. The plan was in place, all we needed was a script. But it would still be shot in Mythoscope® and would endeavor to capture the visual tone of the early Universal Pictures horror films like Dracula and Frankenstein. This story - with its strange whisperings and buzzings - demanded sound, so we planned to shoot it as a talkie. Shortly after we finished The Call of Cthulhu in late 2005, we settled on the notion of adapting HPL's "The Whisperer in Darkness" and shooting it as a feature length film, shot in the style of the early 1930s. So now, at last, we're ready to tell you the strange and terrible tale of what's been going on with our movie of The Whisperer in Darkness.įor starters, it's not really that strange nor terrible. You've clamored for the movie and for information about when it will be released. We know a great many people have been eagerly looking forward to the release of our next film since we debuted the trailer in October of 2007. Branney adapts this tale of science proved wrong sharply with quick line exchanges and every eerie trick in the book made to amp up the old timey thrills. Filmed in stark blacks, faded whites, and amorphous greys, THE WHISPERER IN DARKNESS is a monster movie for folks who miss going to monster movie matinees.
Though this film is heavy on the talk, the strong performances and full embrace of the monster movies of the fifties make every second of this film intriguing and unblinkable.
The filmmakers seem to not only possess the uncanny ability to translate Lovecraft’s words and themes with ease, but they also punch up the story with modern effects while giving it a timeless quality of the matinee serials.
I’ve read the story quite a few times, and though this story of otherworldly portals and demon bugs from other dimensions is not the most literal of Lovecraft’s work, I still don’t think that it’s been adapted perfectly. Those looking for Lovecraft done right should look no further than Sean Branney’s THE WHISPERER IN DARKNESS.
0 kommentar(er)
